with Laursen OB, Networking the Globe New Technologies and the Postcolonial, Routledge, 2015.
with Nasta S, Asian Britain, Westbourne Press, 2013.
Fiction, Film and Indian Popular Cinema: Salman Rushdie’s Novels and the Cinematic Imagination, New York, Routledge, 2013.
with Ranasinha R, Ahmed R, Mukherjee S, South Asians and the Shaping of Britain, 1870-1950, Manchester University Press, 2012.
with Laursen OB, Rock B, Networking the globe: culture, technologies, globalization, Journal of Postcolonial Writing, vol. 49, no. 5, Taylor and Francis, 2013, 503-505
Terror, globalization and the individual in Salman Rushdie’s Shalimar the Clown., Journal of Postcolonial Writing, vol. 45, no. 2, Routledge, 2009, 191-199
Cultural Connections: Lagaan and its audience responses, Third World Quarterly, vol. 26, no. 3, Routledge, 2005, 517-524
(2012) Britain and India: Cross-cultural Encounters. Wasafiri 27:2, pages 1-3., Wasafiri: Caribbean, African, Asian and Associated Literatures in English, vol. 27.2, no. 70, Taylor and Francis, 1-3
with Bainbridge E, Calling from London, Talking to India: South Asian Networks at the BBC and the Case of G. V. Desani, in Nasta S (eds) India in Britain, Palgrave MacMillan, 2012, 164-178
Britain’s forgotten volunteers: South Asian contributions to the two world wars, in Ranasinha R, Ahmed R, Mukherjee S, Stadtler F (eds) South Asians and the Shaping of Britain, 1870-1950, Manchester University Press, 2012, 80-100
Rushdie’s Hero as Audience: Interpreting India Through Indian Popular Cinema, in Benwell B, Procter J, Robinson G (eds) Postcolonial Audiences: Readers, Viewers and Reception, Routledge, 2012, 115-127
‘For Every O’Dwyer… there is Shaheed Udham Singh’: The Caxton Hall Assassination of Michael O’Dwyer’, in Mukherjee S, Ahmed R (eds) South Asian Resistances in Britain, 1858 – 1947, London: Continuum, 2012, 19-32
‘Nobody from Bombay should be without a basic film vocabulary’: Midnight’s Children and the Visual Culture of Indian Popular Cinema, in Mendes AC (eds) Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders, Routledge, 2011, 123-138
Cultural Connections: Lagaan and its Audience Responses, in Bainbridge E (eds) Connecting Cultures, Routledge, 2008
Nargis and Aurora Zogoiby – Imaging Mother and Nation in Mehboob Khan’s Mother India and Salman Rushdie’s The Moor’s Last Sigh, in Jolly G, Wadhwani Z, Barretto D (eds) Once Upon a Time in Bollywood: The Global Swing in Hindi Cinema, Toronto: TSAR, 2007
Historiography 1918-Today (India), 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universitat Berlin, Berlin 2015., Freie Universität Berlin, 2015